Of all things that are most dubious, daunting or otherwise… none compare to the storline. If your jazzed about it, the complexity and excitement shows. If it’s just straight ‘meh’… it will get amplified. And if you’re in my boat…it’s downright terrifying (but in a good way).
Consider your own fears (for better or worse) an excellent reason to get motivated or view them as an opportunity for some good ol’fashion introspection. With the right amount of the stuff and harnessing it correctly, fear (or rather the urge to overcome it) can prove a to be a powerful ally.
Stepping Up to the Plate: The Storyline The storyline for the graphic novel of my mine is just about laid out. Some authors use post its, cue cards, notecards…or just binders of scrap paper thrown together. Use whatever the method works for you.
Those little index notecards just happen to be the right size for the sections of the narrative. Some sections happen to be more full, others… not so much. But good writing should be a blend of both a slower pace sequences matched near faster paced.
Consider your favorite piece of writing (or yarn, flick or graphic novel). There’s a pacing, a rhythm, a sort of melody in the way events and characters happen.
The cool thing about index cards is that you can shuffle them around and rewrite or reorganize them without getting too overattached to them*. The flexibility is a happy sandbox for which you can really play around with.
*(The majority of good writers have the common advice of “not getting married to the first idea but rather having it be a springboard for new ideas”. Also, unless your James Joyce, your first go’round will be pretty raw/cruddy to begin with. Gotta start somewhere though! )